I’ve tested pretty much every major camera from all the leading brands over the last 15 years, from premium compacts to mirrorless flagships. And it’s thanks to that wealth of experience that I know exactly what makes a great camera for stills photography in 2025. While most modern cameras are built for hybrid versatility, some stand out specifically for their photographic strengths, and I’ve highlighted the best of those below.
One of the most impressive stills cameras right now is the Nikon Z6 III. In my in-depth review, I praised its responsive autofocus, rapid frame rates and fantastic handling – it’s a brilliant all-rounder for photography. However, while it’s a top pick for photography overall, there are other cameras better suited for specific use cases and, of course, different budgets.
That’s why my guide isn’t restricted to just the best mirrorless cameras: I’ve included options to suit every skill level and user experience, including compacts and DSLRs. Every model recommended here has earned its place on the back of comprehensive field-testing, where each camera has excelled in a different way. So whichever you pick, you can trust me, it’ll deliver. Narrowing the list down to just 12 entries was a tough task. As such, you’ll also find relevant runners up recommendations following each entry.
Timothy Coleman
I’m TechRadar’s Cameras Editor. With over 15 years in the photo video industry and most of those in the world of tech journalism, I have developed a deeply technical knowledge and practical experience with all things camera related. My take? If you don’t need a do-it-all hybrid, you might just save some cash by opting for the camera specific to your needs. For example, a high-resolution camera will suit landscape and portrait photographers who don’t need the raw power of a speedy sports camera.
Why you can trust my judgement
Every camera that I’ve included in this guide has been thoroughly tested by me or one of my team of expert reviewers – do check out the Meet the team section below for the low down on each person, they are a fab and knowledgable bunch. I’ve set a testing standard for the team to follow, so that you know our testing is fair.
Why you can trust TechRadar
☑️ 100s of cameras reviewed
☑️ 15 years of product testing
☑️ Over 16,000 products reviewed in total
☑️ Nearly 200,000 hours testing tech
We test every camera in genuine shooting scenarios, focusing on how well it performs for stills photography. We look deeper than just image quality, assessing factors such as handling, autofocus performance and battery life. We also look at how well each camera adapts to different styles, including portraits, landscapes and street scenes.
We also factor in long-term usability and value for money. Whether you’re buying your first mirrorless camera or upgrading to a full-frame powerhouse, the models we recommend have all proven themselves in the field. Our review scores are based on the independent, first-hand experience of our testers. The aim is always to give a clear and honest picture, giving you the relevant information to make an informed choice.
Our recommendations are all based on first-hand feedback. We also compare each camera against its competitors in the same price bracket, to help you find the most capable photography tool for your needs and budget. Whether you’re just beginning your camera journey or a veteran photographer, the models in this guide have all earned their place.
Meet the team
Collectively, our team of reviewers has amassed over a hundred years of camera experience and testing, covering all of the latest and greatest cameras in the last 20 years.
Mark is TechRadar’s Senior news editor and has been a technology journalist since 2004. Formerly Trusted Reviews and TechRadar’s cameras editor, Mark has tested cameras over many years from all of the leading brands.
Amy has been writing about cameras, photography and associated tech since 2009. Amy was once part of the photography testing team for Future Publishing working across TechRadar, Digital Camera, PhotoPlus, N Photo and Photography Week.
James Abbott is a professional photographer and freelance photography journalist. He contributes articles about photography, cameras and drones to a wide range of magazines and websites where he applies a wealth of experience to testing the latest photographic tech.
Jon Devo is a seasoned professional with 20 years of experience in photography and videography. After studying Journalism and Psychology at City University London in 2009, he transitioned into presenting and journalism. Jon is the founder of Devoted Creatives, a photo and video studio based in West London.
Richard Sibley is a photographer and writer passionate about travel and landscape photography. With over 15 years of experience writing and reviewing in the photo industry, he was formerly Deputy Editor at Amateur Photographer magazine and has had his words and images published in numerous other magazines and websites.
Top 3 picks
The summary below will give you a quick overview of the best cameras for photography right now. When you find one that fits your requirements, follow the links beneath each entry for an in-depth summary of our feedback.
The best full-frame hybrid overall
If you want a full-frame camera that blend power, speed, reliability and quality for both photo and video creatives, the Z6 III is my top pick.
The best camera for beginners
With a compact build, good handling and modern autofocus, the Canon EOS R10 represents excellent value for beginners.
The best professional camera for stills
This 50MP full-frame camera offers a compelling mix of speed and quality, with superb autofocus and image stabilization.
Best by use-case
The best APS-C camera for enthusiasts
With 40MP sensor, flagship specs and retro design, the X-T5 is a Sony / Canon-beating camera for hobbyists who want something powerful and fun to shoot with.
The best Micro Four Thirds camera
Lovely to shoot with, the OM-1 II delivers versatile performance with its 20MP stacked sensor and unique computational modes.
The best premium compact
With a fixed focal length that’s perfect for street photography, the Fujifilm X100V is a premium compact with plenty of retro style.
7. Olympus OM-D E-M10 Mark IV
The best value photography camera
It’s not cutting-edge, but a compact body, excellent image stabilization and handy touchscreen make this a great value option.
The best DSLR overall
Nikon’s last remaining DSLR with APS-C sensor is an excellent all-rounder with 20.9MP still, superb battery life and intuitive handling.
9. Fujifilm Instax Mini 12
The best instant camera
If you want an instant camera that’s easy to use, cheap to refill and capable of producing vibrant prints, the Instax Mini 12 is it.
Load the next 3 products…
The best pro hybrid for sports and wildlife
Built like a rugged DSLR, the Z9 is Nikon’s most powerful camera ever, complete with an electronic-only shutter and 8K video.
11. Hasselblad X2D II 100C
The best for outright image quality
Setting a new benchmark for medium-format camera quality, the X2D II 100C is Hasselblad’s most versatile model yet.
12. Canon EOS 5D Mark IV review
The best pro DSLR
It’s not cheap, but if you want the best DSLR money can buy, Canon’s flagship has the skills to deliver in any shooting situation.
The best camera for photography 2025
Why you can trust TechRadar
We spend hours testing every product or service we review, so you can be sure you’re buying the best. Find out more about how we test.
Below you’ll find full write-ups for each of the best cameras in this list. My and my team have tested each one extensively, so you can be sure that the recommendations can be trusted.
The best full frame hybrid overall
Image 1 of 5
Nikon Z6 III sample images
Image 1 of 5
Buy it if:
✅ You photograph still and moving subjects: The Z6 III utilizes superb subject detection autofocus and high-speed frame rates, meaning it can handle a wide range of subjects.
✅ You want decent displays: The Z6 III packs Nikon’s brightest-ever viewfinder with next-level display, which gives a clear view of the scene, as does the vari-angle touchscreen.
Don’t buy it if:
❌ You want the best detail: With a 33MP sensor, Sony’s older A7 IV all-rounder still beats the Z6 III for outright detail, but it cannot match the Z6 III’s speed.
❌ You only shoot photos: The Z6 III is a powerful hybrid. If you only shoot photos and have no intention of doing video, you might find better value elsewhere.
If you’re looking for the best full-frame mirrorless camera overall, we think the Nikon Z6 III mid-range all-rounder is the best choice. It doesn’t cost the earth like pro models such as the Nikon Z8, but it still packs Sony A7 IV / Canon EOS R6 II-beating photo and video skills, plus it is a significant upgrade from the cheaper Z6 II.
Its 24.5MP full-frame sensor is par for the course for detail (bettered by the A7 IV), but as a unique partially-stacked type it delivers class-leading burst speeds up to 60fps at full resolution for JPEG. There’s also Nikon’s best-ever autofocus that stood out during in our review: reliable in low light, able to track a wide range of subjects.
Nikon knows how to make mirrorless cameras that handle really well, and the Z6 III takes things further through Nikon’s best-ever EVF (a 5.76m-dot number) – the display is big, vibrant, bright and simply a joy to use, while the 3.2-inch vari-angle screen is also handy for shooting at awkward angles.
However, it’s those who also shoot video that will really appreciate the Z6 III, with its 6K video up to 60fps, oversampled 4K raw video, plus regular 4K at 120fps and 10x slow motion up to 240fps in Full HD – all in-camera – plus impressive 120 minute record times.
Read our in-depth Nikon Z6 III review
Top alternatives…
- Canon EOS R6 Mark II – The closest rival to the Z6 III which a similar feature set, but overall edged out and it’s pricier.
- Sony A7 IV – 33MP stills betters the Z6 III for detail, but the older A7 IV is slower in just about every regard and not any cheaper
- Nikon Z6 II – don’t need the Z6 III’s performance boost? You can save a bagful by opting for its predecessor instead.
The best mirrorless camera for beginners
Image 1 of 5
Canon EOS R10 sample images
Image 1 of 3
Buy it if:
✅ You’re shopping for your first camera: Powerful autofocus, good handling and strong burst speeds put the R10 top of the pile for beginners.
✅ You need an affordable sports camera: Its burst speeds and autofocus make the R10 worth the price if you’re looking to shoot moving subjects.
Don’t buy it if:
❌ You need a wide choice of native lenses: Right now, the EOS R10’s main weakness is a lack of native lenses for Canon’s RF mount.
❌ You’ll be mostly shooting video: No headphone jack for monitoring audio, nor any in-body image stabilization to keep things steady. This isn’y a vlogging camera.
It isn’t the cheapest option for beginners, but we think the Canon EOS R10 is the best camera for those starting their photographic journey. Spiritual successor to Canon’s popular mid-range DSLRs, the EOS R10 has two standout skills: impressive subject-tracking autofocus and speedy 15fps burst shooting, which was previously unheard of at this price. Both combine nicely to make the EOS R10 a versatile little camera for shooting all kinds of subjects, from portraits to speeding pets. During our autofocus testing, which we conducted on cats, deer and a rapid cockapoodle, the R10 found and tracked subjects’ eyes very well, with 15fps burst speeds producing a decent hit rate.
While it isn’t a compact camera, the EOS R10 is lightweight at 429g and has a deep grip that makes it well-balanced in the hand with all kinds of lenses. Unfortunately, the EOS R10 doesn’t yet have many native lenses (just two at the time of writing) and lacks in-body image stabilization. But if you’re happy to buy some of the many full-frame RF lenses that work well with the camera, or adapt old ones using an EF-EOS R adapter, then it’s a versatile sidekick that’s ideal for fledgling snappers.
Read our in-depth Canon EOS R10 review
Top alternatives…
- Nikon Z50 II – Nikon’s APS-C camera is a superb all-rounder, with lower resolution 20MP stills but Canon-beating performance.
- Sony A6100 – if you don’t mind an older camera, the A6100 still offers a 24MP APS-C sensor, but other specs are a little behind the R10
The best pro camera for stills
Image 1 of 5
Sony A1 II sample images
Image 1 of 6
Buy it if:
✅ You want Sony’s best-ever mirrorless camera: It’s a modest update of the flagship A1, but there’s enough in here for certain photographers to merit the upgrade.
✅ You need speed and quality: The A9 III is quicker, the A7R V has a higher resolution 61MP sensor, but the A1 II offers a compelling mix of speed and quality in one camera.
Don’t buy it if:
❌ You want the best bang for your buck: New Nikon and Canon rivals offer almost everything the A1 II does, but for much less money.
❌ You don’t need a do-it-all camera: Portrait and landscape photography specialists can save by opting for the 61MP A7R V, while sports only shooters can look to the A9 II.
I found the A1 II to be Sony‘s most capable Alpha yet, and a camera that truly excels at almost any type of photography. What makes it special is how it combines the proven 50MP stacked sensor from the original A1 with design improvements borrowed from the A9 III, including a larger handgrip, improved 8.5EV image stabilization, and a new Auto subject-detection AF mode.
The compelling mix of speed and quality is what sets this camera apart. It delivers 30fps burst shooting with that high-resolution 50MP sensor, giving you exceptional detail for cropping while maintaining the speed needed for fast action. The AI processing unit ensures reliable autofocus across diverse subjects, from portraits to fast-moving sports, performing equally well whether you’re shooting people, animals or vehicles.
Image quality is superb, with sharp stills offering up to 15EV of dynamic range, while the enhanced stabilization delivers noticeably sharper handheld shots. Whether you’re shooting portraits, sports, wildlife or landscapes, the A1 II adapts effortlessly. It’s this ability to turn its hand to virtually any photographic discipline with professional-level results that makes it such a formidable tool.
Read our in-depth Sony A1 II review
Top alternatives…
- Canon EOS R5 Mark II – The R5 II is a speedy all-rounder, and available at a cheaper price to the A1 II.
- Nikon Z8 – Another quick and versatile model, the 45MP Z8 is arguably Nikon’s best camera ever.
The best APS C camera for enthusiasts
Image 1 of 5
Fujifilm X-T5 sample images
Image 1 of 5
Buy it if:
✅ You want class leading detail: Fujifilm’s 40MP sensor delivers the most detailed pictures of any camera with APS-C sensor.
✅ You don’t need full-frame: Full-frame is the most popular sensor format with camera lovers, but there’s a lot going for APS-C; the format is smaller and more affordable.
Don’t buy it if:
❌ You shot a lot of action: If you need value speed and focusing skills over outright detail, the Canon EOS R7, Sony A6700 and even Fujifilm’s own X-H2S are better APS-C rivals.
❌ You need the best subject tracking autofocus: The X-T5’s autofocus is fine, but if you want the best, those Canon and Sony options mentioned above are more reliable.
If photo quality, portability and retro handling float your boat, there’s no better mirrorless camera with APS-C sensor than Fujifilm‘s X-T5. It squeezes the powerful specs of Fujifilm’s X-H2 into a relatively compact body, complete with vari-angle screen and DSLR-style controls and dials – we found a true pleasure to shoot with, even if there are better EVF’s elsewhere.
It’s the photo quality of the X-T5 that truly stands out; the stabilized (IBIS) 40MP sensor and Fujifilm’s gorgeous Film Simulation color profiles combined for excellent results. This is no slouch for video, either; there’s pleasant 6.2K/30p footage, even if there’s a 1.23x crop and no easy way to monitor audio given there’s no headphone jack.
The X-T5 is our favorite APS-C mirrorless camera detail, but if your main focus is action photography, for which you need quick and sustained burst shooting speeds and top notch autofocus, then the Canon EOS R7 and Sony A6700 rival cameras are arguably better.
Read our in-depth Fujifilm X-T5 review
Top alternatives…
- Sony A6700 – Sony’s best APS-C camera, the A6700 can’t match the raw quality of the X-T5, but its autofocus is better as is its battery life.
- Canon EOS R7 – A stellar performer, the R7 combines 33MP stills with blazing fast burst shooting and autofocus. The lack of native lenses are an issue though.
The best Micro Four Thirds camera for enthusiasts
Image 1 of 2
OM System OM-1 II sample images
Image 1 of 5
Buy it if:
✅ You want value for action photography: A stacked sensor, subject detection AF and wildlife photography-friendly MFT format make this is an outright action camera.
✅ You don’t want to be weighed down with kit: A like-for-like full-frame system will likely be twice the size, weight and price.
Don’t buy it if:
❌ You want high-resolution images: These days, 20MP in a photography-centric flagship camera with this price tag is modest.
❌ You want the best single-shot image quality: The OM-1 II’s multi-shot computational workarounds are good for specific scenarios, but they can’t be used for everything.
Rugged and lightweight, the OM System OM-1 II is a compelling alternative for photographers who prioritize size, versatility and a fun handheld experience. Thanks to its stacked Micro Four Thirds sensor and a speedy TruePix X processor, the OM-1 II performed superbly in most of our tests, especially wildlife photography. It has a swathe of subject detection modes, and you’d struggle to find a more capable autofocus system for bird photography. It also benefits from unique computational photography modes that are the best you’ll find outside a smartphone, which go some way to compensating for its smaller sensor.
It’s not all good news, though. This second-gen model is but a mere refresh of the now cheaper OM-1, we think it’s updates could have been added to the OM-1 by a firmware update rather than making a new, pricier model. The MFT sensor and 20MP resolution are modest for a camera at this price, with low light image quality not quite up to the level of full-frame rivals. If you can overlook those drawbacks, then the OM-1 II (and its huge range of Micro Four Thirds lenses) will make a fine companion. Quite simply, it’s the one of the most enjoyable cameras you can buy.
Read our in-depth OM System OM-1 II review
Top alternatives…
- Panasonic Lumix G9 II – The underrated G9 II packs more pixels than the OM-1 II, has stellar stabilization and autofocus, plus better video skills.
- OM System OM-3 – one for the style-conscious, the OM-3 has much of the same specs as the OM-1 II but with a few cutbacks.
The best premium compact
Image 1 of 5
Fujifilm X100VI sample images
Image 1 of 5
Buy it if:
✅ You want a stylish snapper: From its body design to its exposure dials, the X100VI is packed with retro appeal.
✅ You want a unique shooting experience: If you haven’t used the X100VI’s hybrid viewfinder, try it and thank us later.
Don’t buy it if:
❌ You want a wide perspective: The fixed 35mm lens is slightly tighter than your smartphone’s camera. If you want to fit more in the shot, you’ll have to take a few steps back.
❌ You want flexibility: As a fixed lens compact, you can’t zoom in out or out for a different field of view from its 35mm focal length, although with more pixels you can crop in.
If you want the best compact camera for photography, we think the Fujifilm X100VI is the top choice for most people. The latest model is near identical to Fujifilm X100V, with its retro style, fixed 23mm f/2 lens and pocket-friendly design, while its hybrid viewfinder remains and we absolutely love it – you have to give it a spin. It’s the inside where the big improvements have been made: the X100VI boosts resolution to 40MP, plus it adds in-body image stabilization for the first time in the X100 series – arguably the most needed feature for this street photography camera. You also get Fujifilm’s best autofocus, borrowed from the Fujifilm X-T5.
You might not need the increased pixel count because the X100V’s 26MP is plenty enough for most people. However, the extra resolution offers greater flexibility for cropping into your pictures. The X100VI is also a more capable filmmaking tool, armed with 6.2K 10-bit video. It’s not a perfect camera: we think Fujifilm should have implemented a new 28mm lens, while there’s only one UHS-I SD card slot and you still need an adaptor for full weather-proofing. It’s also a pricier camera than the X100V. However, we think the X100VI is Fujifilm’s most compelling cmaera and the best premium compact for everyday use.
Read our in-depth Fujifilm X100VI review
Top alternatives…
- Leica Q3 – much pricier but with a full-frame 61MP sensor, the Q3 is a top premium compact
- Ricoh GR III – the GR III series can’t match the same outright quality or performance as the X100VI, but the body is genuinely pocketable.
The best value camera for photography
Image 1 of 4
Olympus OM-D E-M10 Mark IV sample images
Image 1 of 5
Buy it if:
✅ You want a compact, capable camera: Small but mighty, the E-M10 Mark IV offers a lot of features in compact packaging.
✅ You like to shoot handheld: Impressive in-body image stabilization helps to keep images sharp even shooting at 1/8th of a second.
Don’t buy it if:
❌ You’re a videographer: While the E-M10 Mark IV can produce impressive video, its feature set isn’t geared towards vlogging.
❌ You want a cutting-edge camera: Missing features such as phase detection autofocus, the E-M10 Mark IV is a step behind its rivals.
It isn’t the latest Micro Four Thirds model on the market, but if you want a travel-friendly option for shooting impressive stills, we think the Olympus OM-D E-M10 Mark IV represents fantastic value. The result of careful refinement over several generations, the Mark IV offers a generous feature set and works with hundreds of affordable lenses. In our review, we noted that its 20MP sensor enables to the Mark IV to capture greater dynamic range than smartphones and compact cameras.
We were also very impressed in testing with its five-axis in-body image stabilization, which gives it the edge over rivals like the Fujifilm X-T200 when shooting handheld. Its button layout makes it an approachable camera for beginners, as does the 3-inch touchscreen. Video limitations – such as the lack of microphone input and 4K/30p cap – do hold it back from competing with hybrids. All the same, the E-M10 Mark IV remains an appealingly portable, affordable photography upgrade.
Read our in-depth Olympus OM-D E-M10 Mark IV review
Top alternatives…
- Canon EOS R100 – the cheapest mirrorless camera available has the same 24MP sensor as the R10, but it’s handling is much simpler.
The best DSLR overall
Image 1 of 4
Nikon D7500 sample images
Buy it if:
✅ You want a decent value DSLR: The D7500 is one of few enthuisast-level DSLRs still available, and it’s under $1,000 / £1,000.
✅ You’re primarily a photographer: Nikon’s DSLRs are a superb starting point for photographers, and the D7500 is sturdy enough for demanding users.
Don’t buy it if:
❌ You want to shoot high resolution photos: The D7500 tops out at 20.9MP while alternatives like the Canon EOS 90D shoot bigger pics.
❌ You’re keen on video: Autofocus for video is poor while newer mirrorless cameras have better features sets for video.
This list is dominated by mirrorless cameras, but if you still prefer the benefits of DSLRS – namely, their handling, superior battery lives and value – then we think the Nikon D7500 is the best one around for beginners and enthusiasts alike. It’s the only remaining Nikon camera of its kind with APS-C sensor that’s still available new, offering a 20.9MP sensor with excellent low light performance, and superb handling, namely its tilt touchscreen, rugged build, large optical viewfinder, 8fps burst shooting and mirrorless-camera beating battery life, rated at just under 1,000 shots.
The D7500 is almost always on sale now and regularly well under $1,000 / £1,000 with lens, while there is a huge choice of Nikon F-mount lenses that can also be great value, especially second hand. If you’re starting out, we recommend buying the D7500 with the versatile 18-140mm lens as a kit, as its brings handy vibration reduction for very little extra cost. Those looking for a travel-friendly camera should still consider mirrorless alternatives like the Olympus OM-D E-M10 Mark IV above, but otherwise the D7500 remains a brilliant way to learn the photographic basics, start your new hobby and up your skills.
Read our in-depth Nikon D7500 review
Top alternatives…
- Pentax KF – Arguably more rugged, the KF also has better stabilization skills, but the D7500 is the more compelling pick overall
- There are no real Canon rivals to the D7500 in 2025, unless you shop secondhand for a model like the EOS 850D
The best instant camera
Image 1 of 5
Fujifilm Instax Mini 12 sample images
Image 1 of 5
Buy it if:
✅ You want point-and-shoot simplicity: Auto exposure control and affordable film refills make the Instax Mini 12 an accessible camera to shoot with.
✅ You want vibrant party prints: With rich vintage colors, Instax prints have a distinctively attractive look that’s great for capturing memories.
Don’t buy it if:
❌ You shoot in sunlight a lot: The Mini 12 tends to overexpose images in bright light, not helped by the always-on flash which fires every time.
❌ You want a tactile camera: The bubble-like design is fun, but it’s also slippery in the hand making it tricky to keep hold of at times.
When it comes to photo quality, the Fujifilm Instax Mini 12 can’t compete with present company. But if you want an instant camera that’s affordable, easy to use and fun to shoot with, we think the Mini 12 is a winner. Building on everything we loved about the Instax Mini 11, it makes it simple for beginners to create small but vibrant printed snaps.
The Mini 12 benefits from parallax correction, which we found a useful addition: it means what you see when framing is closer to what gets printed. Fujifilm has also repositioned the exposure sensor to get more accurate readings, although we found that the Mini 12 still overexposes in bright sunlight. We also found its design a little slippery to handle, but the lens controls are even more intuitive than before: you turn on the Mini 12 by twisting its lens, or activate the close-up mode by pulling it. This straightforward setup makes it even more appealing for parties and kids, especially when you factor in the affordable cost of film refills.
Read our in-depth Fujifilm Instax Mini 12 review
Top alternatives…
- Polaroid I-2 – want a proper instant camera? The I-2 is as premium as it gets.
- Fujifilm Instax Mini 99 – or if you want a wide choice of styles and tools to add a little color and creativity to your instant prints, the Mini 99 is unrivalled.
The best pro hybrid for sports and wildlife
Image 1 of 5
Nikon Z9 sample images
Image 1 of 5
Buy it if:
✅ You need a dependable camera for most situations: Pros especially need a reliable tool, first and foremost, and they won’t be let down by the Nikon Z9.
✅ You want resolution and speed
What’s seriously impressive about the Z9 is that it outguns the similarly-priced Nikon D6, while boasting more than twice the resolution
Don’t buy it if:
❌ You want a lightweight tool: Compared to the Canon EOS R3 and Sony A1, the Nikon Z9 is both heavy and bulky.
❌ You don’t need everything in one camera: Given the smaller Z7 II has the same resolution for almost half the price, the Z9 could be more than you need.
Blazingly quick, the Nikon Z9 is a fantastic choice for discerning photographers who need a camera that can keep up with the most intensive sports and wildlife action. As the first pro-grade camera without a mechanical shutter, it was a groundbreaking model at launch. Subsequent firmware releases have only made it better. Alongside reliable Eye AF tracking, the Z9 is capable of capturing crisp video at 8K/60p or 4K/120fps. Our tests confirmed that stills are similarly fantastic, with the 45.7MP stacked CMOS sensor and excellent image stabilization combining to produce beautiful images.
Besides the price, the major drawback is the Z9’s form factor. In our review, we found it a big, heavyweight beast. A two-way tilting touchscreen does add welcome versatility alongside the vertical grip, and weather-sealing complements Nikon’s trademark build quality. But there are smaller, more affordable options out there if you don’t need all of its flagship features. Nikon’s own Z7 II for example offers the same level of detail for stills in a tidier package.
Read our in-depth Nikon Z9 review
Top alternatives…
- Sony A9 III – the quickest camera available, the pricier A9 III has rawer power with 120fps burst shooting and a global shutter.
- Canon EOS R1 – another pricey alternative, the EOS R1 is Canon’s best action camera with unique deep learning features and incredible autofocus
The best camera for outright image quality
Image 1 of 5
Hasselblad X2D II 100C sample images
Image 1 of 5
Buy it if:
✅ You love design: It’s simple, Hasselblad’s minimalist X System cameras are the most beautifully designed digital cameras available, and the X2D II is stunning.
✅ You’re a stickler for color: Building on the impeccable color rendition of the X2D 100C, the X2D II adds end-to-end HDR capture for improved tonal range.
Don’t buy it if:
❌ You shoot sports and wildlife action: Despite improved autofocus performance, which includes subject tracking, the X2D II’s 3fps burst shooting is super slow by today’s standards.
❌ You shoot video: The X2D is one for photographers – it doesn’t record video whatsoever.
I fell in love with the Hasselblad X2D II 100C during my testing, and it tops my wishlist for landscape and portrait photography cameras. It retains the minimalist design of the X2D 100C: a generous grip, sizeable touch display, simple menus and 1TB of built-in SSD storage. It delivers a few meaningful upgrades from the 100MP medium-format X2D 100C, though, which was already a stellar for photography purists.
The X2D II delivers continuous autofocus for the first time in a Hasselblad camera, complete with subject tracking skills and LiDAR. Image quality is also bolstered with end-to-end HDR capture and the end results are stunning – natural colors, packed with detail. Image stabilization is boosted to 10EV too – I’m not sure about those numbers having tested the camera, but it’s an impressive performance nonetheless and the X2D II can easily be used handheld. The stunning rear screen now has a greater range of tilt, too.
Other elements remain – the X2D II still doesn’t shoot video, while continuous burst shooting is snail’s pace at 3fps. However, if you’re an out and out landscape or portrait photographer, there’s no better quality camera available. The cherry on the cake is that Hasselblad slashed the price compared to the X2D 100C. The mark II is still pricey, but that dream is one step close to reality.
Read our in-depth Hasselblad X2D II 100C review
Top alternatives…
- Fujifilm GFX100 II – it’s a little pricier than the X2D II, but the GFX100 II is also a stellar video camera.
- Fujifilm GFX 100S II – you can save a little with the GFX 100S II which also offers a 102MP sensor, plus excellent ergonomics and reliable image stabilization.
The best professional DSLR camera
Image 1 of 2
Canon EOS 5D Mark IV sample images
Image 1 of 4
Buy it if:
✅ You want the best DSLR performance: From autofocus to resolution, the EOS 5D Mark IV sets the bar for pro-grade DSLR models.
✅ You shoot a range of subjects: Whether you shoot landscapes or wildlife, the Mark IV’s versatility means it can handle almost any scenario.
Don’t buy it if:
❌ You shoot a lot of video: DCI 4K video capture is a welcome addition, but a 1.64x crop limits is usefulness for videographers.
❌ You have a limited budget: Even compared to rivals like the Nikon D850, the Canon EOS 5D Mark IV commands a high price.
For professionals who prefer the feel of a DSLR, we think the Canon EOS 5D Mark IV is the best option available today. There’s no escaping that it represents a significant investment, but our review found that the Mark IV does plenty to justify the outlay for serious shooters. Predictably, its 30.4MP full-frame sensor turns out fantastic amounts of detail. Our tests revealed improved dynamic range and high ISO performance compared to the 5D Mark III. We were also impressed by the reliability of the metering system, while AF tracking performed reliably well, even with a bias towards the center of the frame.
Though at times we wished for a vari-angle display, the touchscreen interface is still a welcome addition, and a neat complement to the large viewfinder. All this in a package that feels well put together and wonderfully familiar. Provided video isn’t high on your agenda – there’s a heavy 1.64x crop on 4K footage – we think the EOS 5D Mark IV is a fantastically well-rounded and versatile DSLR for photography.
Read our in-depth Canon EOS 5D Mark IV review
Find savings on Canon cameras with our Canon promo codes.
Top alternatives…
Also consider
Since 2008, we’ve reviewed hundreds of cameras and whittling this list down to 12 entries was not easy. Here’s the roundup of those top alternatives for each of the entries above:
Best Nikon Z6 III alternatives – Sony A7 IV and Canon EOS R6 Mark II: Sony’s A7 IV is the slowest of these three options, but it delivers the sharpest stills thanks to a higher-resolution 33MP sensor. Canon’s EOS R6 Mark II has more in common with the Z6 III, but Nikon’s model has the edge in many areas, especially handling. Meanwhile, you could save some cash by opting for the Nikon Z6 II instead – for many scenarios it offers the same picture quality.
Best alternative hybrids for pros – Canon EOS R5 Mark II and Nikon Z8: The EOS R5 Mark II was our camera of the year for 2024 – a huge upgrade from the EOS R5 in every way being faster and more reliable, with stacked sensor, near-perfect autofocus and useful AI-powered editing features. Likewise, the Z8 is probably Nikon’s best-ever camera, offering almost everything the Nikon Z9 can do but in a smaller and cheaper package. Where the Z9 is better for sports pros is its larger body and better battery life.
Best for speed – Sony A9 III: A mirrorless speed machine with a global shutter, the A9 III has unbelievable burst speeds, incredibly reliable autofocus and suffers from zero rolling shutter. You’ll pay for the privilege, but this is a remarkable tool for high-speed action photography.
Best premium instant – Polaroid I-2: It doesn’t come cheap and neither does I-type film, but the Polaroid I-2 delivers an arsenal of shooting options, thanks to its full manual exposure controls, sharp lens and impressive LiDAR autofocus. You also get Bluetooth control via the app.
Best creative instant – Fujifilm Instax Mini 99: A well-built and grown-up instant camera, the Instax Mini 99’s intuitive controls make it easy for beginners to use, while also offering experienced photographers the flexibility of creative controls. You’ll need to budget for film refills, though.
Best money-no-object compact – Leica Q3: A premium compact like no other, the Leica Q3 is incredibly expensive but also incredible to shoot with. A beautifully built camera that feels wonderful in the hand, its 60.3MP sensor and fixed 28mm prime lens are capable of stunning results.
Best affordable medium-format – Fujifilm GFX 100S II: One of the best medium format cameras for most people, the GFX 100S II offers excellent ergonomics, reliable image stabilization and superb image quality from its 102MP sensor – all at a lower price than the flagship GFX100 II.
Best cheap mirrorless – Canon EOS R100: A pared-back version of the Canon EOS R50, the R100 features the same 24MP APS-C at a lower price. Sitting at the bottom of Canon’s RF mount mirrorless range, it isn’t packed with features, but it’s a very affordable entry point.
Upcoming photography cameras
We already know about the Canon EOS R6 Mark III, which was announced on November 6. It looks like a super-capable 32MP full-frame hybrid with no obvious weaknesses, which is set to trouble this guide once our in-depth review is complete.
Rumors have also been circulating about the Sony A7 V, which was previously expected to break cover in the first quarter of 2025. Whenever it arrives, you can expect it to be a powerful mirrorless all-rounder that improves on the formula of the A7 IV. Between the EOS R6 Mark III and the leaked A7 V, there could be two potential new entries at the top of this guide.
Ricoh has also unveiled the GR IV – an update of its popular original GR III, with new stabilized 26MP sensor and better battery life. Like the EOS R6 Mark III, we are currently reviewing that camera and it looks set to be one of the best premium compact cameras available.
There’s also good new for black-and-white photography fans – Ricoh is making an optimized monochrome variant of the GR IV, while Leica is being tipped to do the same with a Leica Q3 Monochrom.
I’m not expecting further action this year. However, with new camera models arriving pretty much every month, we continue to cover the latest releases and rumor stories as they happen, then publish our full reviews as soon as we’re able to.
How to choose the best camera for you
• Consider sensor size – each has its own quality / performance benefit
• Look out for viewfinder type and quality
• What sort of lens will you need for the things you like to photograph?
The main thing to look at when buying a digital camera is sensor size. Larger isn’t always better, but it is a good guide to what kind of camera it is, how expensive the lenses will be, and who it’s aimed at. In general, Micro Four Thirds and APS-C cameras are for both hobbyists and pros, while full-frame models tend to be strictly for advanced photographers with bigger budgets. Compact cameras with 1-inch sensors are for travel zooms and everyday photography.
Other features to look out for are viewfinders (electronic or optical), which are considered essential by most photographers, and handling. If you’re likely to want to use longer lenses, then a good grip is essential. You should also consider which lenses you’re likely to need for your favorite types of photography – for example, bright prime lenses are better for portraits and street shooting, while wide-angle zooms are more useful for landscapes. Deciding which camera system, including lenses, is the best for you is often better than choosing a camera in isolation.
What type of camera is best for photography?
• Mirrorless cameras have overtaken DSLRs as the popular choice
• Full-frame tends to deliver decent image quality, but can be expensive
• What’s more important to you – outright quality or absolute speed
As you’ll find in our comprehensive buying guide above, there’s no single factor that defines what type of camera is best for photography. From sensor size to resolution, there are many aspects to bear in mind when choosing a stills camera, which is why it’s a good idea to consider the feedback from our real-world tests when deciding.
The importance of each of these factors will come down to your preferred style of shooting. Objectively speaking, the larger a camera’s sensor, the more light it can gather – and the higher its resolution, the sharper its images will be. That’s why we rate mirrorless cameras such as the Sony A1 II so highly for their stills performance: its 50.1MP full-frame sensor is the class of the field.
But the question isn’t necessarily that simple. The highest resolutions tend to be overkill unless you’re a professional photographer. Equally, full-frame cameras are less travel-friendly due to the size of their sensors. For that reason, you might prefer a mirrorless camera with a high-resolution APS-C sensor, such as the Fujifilm X-T5. Or if you’re just starting out, the best photography camera for you could be an APS-C model with a lower resolution, such as the Canon EOS R10.
The elephant in the room is whether a DLSR is better than a mirrorless camera for photography. For a full analysis of this question, it’s worth reading our mirrorless vs DSLR camera guide. The short summary is that most manufacturers regard mirrorless cameras as the future of photography, with the latest models offering unrivalled performance and results. But that doesn’t necessarily mean you should discount DSLR models, as you can read below.
Are DSLRs best for photography?
• DSLR cameras and lenses can make for secondhand bargains
• They are also good for beginner photographers
• Lens choice is good, as is battery life
DSLRs were long the byword for ‘serious’ photography, but they’re no longer at the top the camera tech tree. Mirrorless cameras, which replace the DSLR’s optical viewfinder with a wholly electronic EVF, are now the beneficiaries of the camera giants’ latest lenses and autofocus systems. Neither Canon nor Nikon has released a new DSLR in years. That’s why our list above is dominated by mirrorless cameras, rather than DSLRs.
That doesn’t necessarily mean you shouldn’t consider buying a DSLR for photography. Their main benefit now is value for money – their lack of an electronic viewfinder means they’re usually cheaper than mirrorless equivalents, and their maturity means they have a wide range of affordable lenses. Classic DSLRs like the Canon EOS 6D are also excellent second-hand buys. But the smarter long-term investments are now mirrorless cameras.
The best cameras for photography don’t going to come cheap these days, and so it’s important to read up on real-world tests such as TechRadar’s which are the most revealing way to understand a camera’s performance and character, so we focus heavily on those, along with standardized tests for factors like ISO performance.
To start with, we look at the camera’s design, handling and controls to get a sense of what kind of photographer it’s aimed at and who would most enjoy shooting with it. When we take it out on a shoot, we’ll use it both handheld and on a tripod to get a sense of where its strengths lie, and test its startup speed.
Regarding performance, we use the fastest supported memory card type (whether that’s UHS-I, UHS-II, CFexpress and so on) and make sure it’s formatted, then shoot photos in both raw and JPEG (if available). We have standardized camera settings to test burst shooting (1/250 sec, ISO 200, continuous AF) – we then select the various burst shooting modes and shoot sequences in front of a stopwatch to record how long sequences last, the number of frame and how quickly the buffers clears, repeating the test for both raw and JPEG files.
In various lighting conditions, we also test the camera’s different autofocus modes (including Face and Eye AF) in single point, area and continuous modes. We also shoot a range of photos of different styles (portrait, landscape, low light, macro/close-up) in raw and JPEG to get a sense of metering and its sensor’s ability to handle noise and resolve fine detail.
If the camera’s raw files are supported by Adobe Camera Raw, we’ll also process some test images to see how we can push areas like shadow recovery. And we’ll also test its ISO performance across the whole range to get a sense of the levels we’d be happy to push the camera to.
Battery life is another important consideration. We start our test with a fully charged battery and run our usual camera testing until the battery has reached zero. We then count how many shots were possible and check that number against the camera’s official CIPA rating – the results can differ for better or for worse. Finally, we test the camera’s video skills by shooting some test footage at different frame-rates and resolutions, along with its companion app.
We then take everything we’ve learned about the camera and factor in its price to get a sense of the value-for-money it offers, before reaching our final verdict.