By admin, on July 12th, 2025

Panasonic Lumix S1 II vs. Nikon Z6 III – Which One Is the Best Camera for Photo and Video? Let’s explore which one is the Best Camera for you. Here is the verdict / quick recommendation whcihexplained in the later part of the video
Choose Nikon Z6 III for:
- For Photography, Nikon Z6 III is more recommended
- For 4K vlogging, travel, and run-and-gun videography, the Nikon Z6 Mark III is highly recommended
- Excellent for recording slow-mo video, starting from Full HD 240 FPS and 4K up to 120 FPS
- Projects prioritizing sharp 4K footage and high frame rates.
Choose Panasonic Lumix S1 II for:
- 6K cinematic video with Open Gate and ARRI LogC3 for High-End post-production flexibility.
- 6K documentary, When you actually need the 6K quality, Panasonic S1 II is more recommended
- for thermal management, built-in FAN, and advanced 32 BIT audio.
- Anamorphic in-camera De Squeez Frame.io integration.

| Feature | Nikon Z6 Mark III | Panasonic S1 II |
| Lens Mount | Nikon Z | L-Mount |
| Dimensions (W x H x D) | 5.5 x 4 x 2.9″ (138.5 x 101.5 x 74 mm) | 5.29 x 4.03 x 3.61″ (134.37 x 102.36 x 91.69 mm) |
| Weight | 23.6 oz / 670 g (Body Only) | 1.58 lb / 717 g (Body Only), 1.76 lb / 798 g (With Battery, Media) |
| Battery | EN-EL15c Rechargeable Lithium-Ion (~360 shots) | Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh |
| Operating Conditions | 32 to 104°F / 0 to 40°C, up to 85% Humidity | 14 to 104°F / -10 to 40°C, 10 to 80% Humidity |
| Media/Memory Card Slot | Slot 1: CFexpress Type B / XQD, Slot 2: SD/SDHC/SDXC (UHS-II) | Slot 1: CFexpress Type B, Slot 2: SD/SDHC/SDXC |
| Wireless | 2.4 / 5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 | 5 GHz Wi-Fi 5 (802.11ac) |
| Mobile App | Nikon Imaging Cloud (Android/iOS, file access, firmware updates) | Lumix Lab (Android/iOS) |
| Monitor | 3.2″, 2,100,000 Dot, Articulating Touchscreen LCD, Top Status Display | 3″, 1,840,000 Dot, Free-Angle Tilting Touchscreen LCD |
| Viewfinder | Electronic, 0.5″, 5,760,000 Dot, 0.8x Magnification, -4 to +2 Diopter | Electronic (OLED), 5,760,000 Dot, 0.78x Magnification, -4 to +2 Diopter |
| Video I/O | 1x HDMI Output | 1x HDMI Output |
| Audio I/O | 1x 3.5 mm TRS Stereo Headphone Output, 1x 3.5 mm TRS Stereo Microphone Input | 1x 3.5 mm TRS Stereo Headphone Output, 1x 3.5 mm TRS Stereo Microphone Input |
| Power I/O | 1x USB-C Input | 1x USB-C Input |
| Other I/O | 1x Nikon DC2 Data Input, 1x USB-C Data Output (Shared with Power Input) | 1x USB-C Data Output (Shared with Power Input) |
Still image comparison between Panasonic S1 Mark II, Nikon Z6 Mark III in JPEG mode – Image quality-wise, the Nikon Z6 Mark 3 camera can capture with more detail compared to the Panasonic S1 Mark II, and even considering the price and AI autofocus mode, the best investment should be the Nikon Z6 Mark 3.

Video Core Specification Comparison
| Feature | Nikon Z6 III | Panasonic Lumix S1 II |
| Max Video Resolution | 6K (6048 x 3402) @ 60p (RAW) | 6K (5952 x 3968) @ 29.97p, 5.1K (5088 x 3392) @ 60p (Open Gate) |
| 4K Frame Rates | 4K UHD (3840 x 2160) @ 120p | 4K (3840 x 2160) @ 119.88p, C4K (4096 x 2160) @ 119.88p |
| Slow Motion | Full HD (1920 x 1080) @ 240p | Full HD (1920 x 1080) @ 239.76p |
| RAW Recording | N-RAW, ProRes RAW HQ (12-bit) | Apple ProRes RAW (10-bit) |
| Compression Options | ProRes 422 HQ (10-bit), H.265/HEVC, H.264/AVC (8/10-bit) | Apple ProRes, H.264/MPEG-4 AVC, H.265/HEVC, HEIF (10-bit) |
| Log Recording | N-Log, HDR (HLG) | V-Log, ARRI LogC3 (with DMW-SFU3A upgrade) |
| Audio | Linear PCM (48 KHz, 24-bit), AAC (48 KHz, 16-bit), 3.5mm mic/headphone | LPCM (48/96 KHz, 24/32-bit), AAC (48 KHz, 16-bit), XLR via DMW-XLR2 |
| Max Recording Time | 2 hours 5 minutes | Not specified (internal fan for extended recording) |
| Stabilization | 5-axis IBIS (8 stops) | 5-axis IBIS (8 stops), Active I.S., cropless mode |
| Additional Features | Waveform, focus peaking, zebra, time code, e-VR, dual-format proxy | Real Time LUT, Frame.io C2C, anamorphic desqueeze, full HDMI output |
| Weight | 1.5 lbs (675 g) | 1.76 lbs (800 g) |
| Dimensions | 5.47 x 4.02 x 2.91 in | 5.28 x 4.04 x 3.63 in |
Nikon Z6 Mark 3 and Panasonic S1 Mark II camera – Which is best for your videographic needs?

Based on videographic requirements, which camera is the best one for you? The Nikon Z6 Mark 3 camera delivers excellent 4K video quality, and the details are very sharp. You can also see the samples that have been attached to this page. The 4K details captured by the Nikon Z6 III are remarkably sharp. Panasonic Lumix S1 Mark II camera 4k samples, doesn’t carry that many details that which we can notice in the Nikon Z6 III camera.
What users are saying, those who have both the camera

The Nikon Z6 Mark 3 camera can capture 4K videos up to 120 frames per second, so that’s the best option we have if you wish to capture high-quality dance moves or action sequences in slow motion. The Nikon Z6 Mark 3 camera also offers the latest Nikon RED LUTs to put a cinematic feel inside your camera. The camera also offers waveform functionality and timecode support.
Why should you buy the Nikon Z6 Mark 3? If you are a content creator, travel blogger, street filmmaker, or even wedding cinematographer, and your requirement is limited to 4K video recording, then of course, the Nikon Z6 Mark 3 is more recommended for you.

Best camera for 6K cinematic video and post-production flexibility
Panasonic S1 Mark II camera delivers superior 6K video quality, and the cherry on top is you’re also getting Open Gate recording mode—providing crisp and cinematic footage, along with the flexibility to reframe your shots from various aspects. The Panasonic S1 Mark II also supports ARRI LogC3, a professional-grade LUT for cinematic color editing.
The Panasonic S1 Mark II camera also allows you to use anamorphic de-squeeze functionality, specifically for anamorphic lenses. It has XLR input for 32-bit float audio, and obviously, timecode and waveform functionality support.
Why should you buy the Panasonic S1 Mark II camera? For narrative film purposes, professional high-quality commercials that require 6K footage, extensive post-processing, and reframing, the Panasonic S1 Mark II is the best choice.
Best camera for high-quality slow-motion video
Nikon Z6 Mark 3 is the straightforward answer. With this camera, you can record high-quality Full HD videos up to 240 frames per second. You can use it later in 10x slow-motion mode, delivering ultra-smooth, super slow-motion footage for a cinematic look. Other than that, the camera also offers 4K video recording up to 120 frames per second. So again, you are getting an option to record high-quality slow-motion footage—although you have to face a crop while recording at 120 FPS, but at least you get the option.
There is no such option present in the Panasonic S1 Mark II. It has advantages in its 6K mode, but yes—even in the 6K mode—it’s missing the 60fps frame rate which the Z6 Mark 3 is able to deliver.
Best camera for higher resolution Video
If you are looking for a higher resolution camera, then we have two options. The best choice is the Panasonic S1 Mark II, since you get super detailed 6k Super resolution and later on you can reframe and compose your shot as you like to.
Best camera for documentary videography: Suppose you want to create documentary videos and love to have a 6K camera that delivers exceptional image quality, as well as want to record audio in the highest quality possible. In that case, that is, 32-bit float, then the Panasonic S1 Mark II is the best choice for you.
Verdict – Best Camera for You
Choose Nikon Z6 III for:
- For Photography, Nikon Z6 III is more recommended
- For 4K vlogging, travel, and run-and-gun videography, the Nikon Z6 Mark III is highly recommended
- Excellent for recording slow-mo video, starting from Full HD 240 FPS and 4K up to 120 FPS
- Projects prioritizing sharp 4K footage and high frame rates.
Choose Panasonic Lumix S1 II for:
- 6K cinematic video with Open Gate and ARRI LogC3 for High-End post-production flexibility.
- 6K documentary, When you actually need the 6K quality, Panasonic S1 II is more recommended
- for thermal management, built-in FAN, and advanced 32 BIT audio.
- Anamorphic in-camera De Squeez Frame.io integration.
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At TheNewCamera.com, we’re dedicated to keeping you informed about the latest camera news. The article “Panasonic Lumix S1 II vs. Nikon Z6 III – Which one is the Best Camera for Photo and Video?” by thenewcamera.com team on 9:04 am Saturday, 12 July 2025 Greenwich Mean Time (GMT) | Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live Camera News + Canon Rumors 24X7.
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